![]() Laney has stuck to the magic formula here - a 15W, all-tube, single channel beauty - and we’re so glad they did. That doesn’t mean you should though - and in the case of the Cub-Super12, you really should pay attention. Your call - but it’ll sound pretty good either way.Īs the company who helped Heavy Metal find its sound, you’d be forgiven for overlooking Laney’s cleaner, more boutique-sounding amps. Either ride the input and master volume controls and set it as clean as you can, or dime the input volume, engage the ‘fat’ switch and bathe in the harmonic glow of those ECC83’s. This thing can get loud, and do it very tastefully too. Now, it’s not a 100-watter like some of the amps we’ve seen so far, but don’t be fooled by the lower output. The 12” A-type Celestion is well balanced and sweet sounding, delivering crisp highs, a full, warm bass response and laid back midrange. This mark IV variant adds both modified preamp circuitry and a smoother sounding spring reverb - delivering that timeless Fender tone that we all know and love. One speaker, one channel - the Blues Junior IV is truly simple and straightforward to use, and with that simplicity comes great joy. The amp we’re talking about here is the most recent mark IV version, so let’s see what Fender has going on under the hood here. The Fender Blues Junior has been one of the most iconic small combo amps of the last few decades, and to be honest, we can understand why. The emulated output can be used in live scenarios too, with 1x12” and 4x12” cab emulations to choose from. This means you can choose whether to use the HT5 through your interface, or as an interface. Blackstar’s legendary I.S.F (Infinite Shape Feature) control makes an appearance here too, taking your tone from ‘US’ to ‘UK’ in the twist of a dial.īlackstar has also included a nice little treat or two for the home studio user, in the shape of a USB output and an emulated output. Each channel has a ‘voice’ switch which accentuates some of the high-mid and treble frequencies, giving a slight boost and an extra flavor to your playing. Nothing crazy, nothing mental - just great tones. The layout is fairly simple - one clean channel, and one overdrive channel, and some reverb. Designed to be a killer practice amp for those who want all-tube tone at affordable prices and sensible volumes, the HT5-R MKII emphatically fits the bill. Their versatility and sheer ability has made a once fringe amp manufacturer one of the world’s most popular brands, and the small-but-mighty HT5-R MKII is proof of that. Simply put, Blackstar makes some brilliant amps. The included footswitch enables you to change presets on the fly, as well as access the onboard looper - making the GTX100 a pretty versatile amp, and one of the best combo amps you can buy. The 1x12” specially designed speaker boasts a pretty flat tonal response, so whether you’re replicating a Blues Junior, Deluxe Reverb, Bassman or using the Bluetooth connectivity to stream your favorite tracks, everything should sound just right. If you’re not keen on endlessly tweaking settings, then a massive collection of 200 artist-designed presets should be just right for you. The signal path on the GTX is entirely configurable, meaning you can reorder the blocks in your signal chain, all at the touch of a button - or change any settings you want from the Fender TONE 3.0 app. Widely seen as a great practice amp for beginner to intermediate players, the GTX series takes the sheer convenience of having every tone at your fingertips to another level.Ĭreating your own presets is a breeze. The Marshall JVM410C is also one of the best combo amps out there, doing everything from warm cleans to metal-style distortion, as is the Victory V40 Deluxe, if money is no object and you want to go down a more boutique path.Īnother entry from the big ‘F’, the Mustang amps have been Fender’s go-to amp for reliable, affordable modeling technology. They both offer the famous Fender clean tones in slightly different sized packages, and they’re both great pedal platforms. ![]() If clean tones are your thing, then the Fender Deluxe or Princeton could have everything that you want. ![]() Whether you’re just starting out and want a good quality amp, or you’ve been playing a while and want something that has everything from sparkly cleans to crushing overdrive, alongside some studio quality effects, then it has you covered. Picking out the single best combo amp is difficult, though considering price, range and quality of tones and versatility then we can’t ignore the Boss Katana MKII 100. ![]() If you’d rather get straight to the products, then keep scrolling. We’ve included some expert buying advice at the end of this guide, so if you need a little more insight into what to look for in a combo amp, then click the link. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |